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Disturbing TV Scenes We Never Wanted To See. Critics and fans have nearly universally agreed that we are currently in the golden age of television, highlighted by masterful dramas like Mad Men, Breaking Bad, Game of Thrones, and House of Cards. It’s dramas like these, and so many others (that will be mentioned throughout this list) that have demonstrated how to present tense and believable drama fueled by raw human emotion, and how to truly disgust and shock viewers everywhere. There are many television programs that live and die by this “shock factor,” but those won’t be mentioned here, because it’s easy to shock an audience, but it’s not easy to invoke a visceral reaction from them.

In the scenes that follow, the creative teams behind the greatest television dramas set out to build tension slowly, until it reached its overflowing boiling point, at which point they would magnificently reach a narrative crescendo, in which all the shit would hit the giant industrial sized fan. Many of these scenes left viewers without answers, attempting to rearrange their thought patterns because of the horrors they had just been witness to. Prepare to relive some truly harrowing television moments. Without further ado, here are the 2. Disturbing TV Scenes We Never Wanted To See.

Reasons Why – Hannah’s Suicide. Reasons Why is hard to watch, for both good and bad reasons. The high school drama angle can prove to be a little too much at times, but when the show really wanted to shock its audience, it delivered in spades. Hannah Davis, the show’s ominous narrating character told us from the very beginning of the show that she was driven to suicide because of numerous children who went to her school. What the audience didn’t know (and wasn’t prepared for) was that the Netflix original program would show her death in such graphic detail. Seeing Hannah sitting in a full bathtub, contemplating all of her options, and then finally, slowly, dragging the razor blade across her arms was enough to make the faint of heart, well… faint.

Hemlock Grove – Werewolf Transformation. Hemlock Grove is a terribly gritty interpretation of classic fictional horror stories and motifs, and thanks to the help of horror master Eli Roth, it’s also incredibly gory. The most brutal part of the show is easily the first werewolf transformation the audience is introduced to. We see skin ripping apart, nose and mouth protruding, and terrible deafening screams as the werewolf completely takes over. Werewolves have been done in cinema for ages, from The Wolf Man, to An American Werewolf in London, and even more recently in The. Wolfman reboot. Even a movie with a $1.

Netflix’s many genius original programs. It has the texture, grit, and gore that those other werewolf stories lack. Game of Thrones – Baratheon Baby is Murdered. It’s hard to keep watching Game of Thrones because of how brutally it displays acts of violence, but not many of those acts can compare to the horror of knowing an infant child is being murdered just out of frame. Suggested violence can sometimes trump actual violence. An audience can get wrapped up in the actual staging of the scene by the cast and crew, but suggested violence allows for no such contemplation, and we’re left imagining in our own minds exactly how the death was carried out.

It seemed like Game of Thrones was consistently trying to tell its audience that nothing was off limits, but this single moment pushed that idea further than it had ever been pushed prior. The world was just hoping that the families would draw the line at murdering infants, but no such luck. Breaking Bad – Todd and Andrea. There are few characters in television history that inspire as much hate as Todd Alquist in Breaking Bad. He was a child/girlfriend/dream- killer who delivered one of the most intense and brutal killings in all of televised programming.

The audience was so pleased seeing Jesse happy for what felt like the first time ever (note: this was also the last time he would be truly happy) and using his greatest strength to help out both Andrea and her child. It’s especially heartbreaking because the audience assumed the point of view of Jesse throughout most of the show, seeing through his eyes the kind of evil that Walter White could cook up. And there were many shocking deaths throughout Breaking Bad’s run, but none other had the kind of emotional impact that this moment did – when Todd shoots Andrea point- blank as a helpless Jesse watches in horror.

Mad Men – Lane Pryce. This has got to be the most devastating moment throughout all of Mad Men. A show that displays the devastation of a single man’s family and professional life can be tough to watch sometimes.

But having someone like Lane, a character who appeared to have the closest to modern sensibilities, end his own life was just heartbreaking. The worst of it was that Lane ended his life because of a single mistake that the audience had seen the characters of Mad Men commit since the pilot.

It felt like a telling sign of things to come. Most of the genius of Weiner’s writing was that we were able to see something so tragic, and then still have sympathy for the problems of the characters we’d been with for years. At the end of the day, it seemed like Don, Roger, and Pete were killing themselves and becoming new men week by week. American Horror Story – School Shooting.

School shootings are a tough topic to approach in television or film, and to display it in all of its terrifying and gory details might be considered a little too much by viewers. That’s exactly the reaction that this American Horror Story scene received from audiences everywhere, as thousands of angry viewers took to the internet to protest the episode and its intense content. With that being said, it’s an incredibly honest and intense look at what these acts of violence can actually look like.

It’s a shocking scene because television viewers aren’t used to seeing something so real and pertinent to our lives, and with acts like this being covered so constantly in the media, it’s hard to experience it again in a medium that is supposed to distract us from the horror that can occur in the real world. Hannibal – Human Mural. Hannibal can be a truly menacing and disgusting show when it wants to, in addition to being one of the best written and directed programs ever conceived. Fuller understands how images can imply and demonstrate certain ideas that mere words cannot, and he uses the medium to its absolute fullest.

When we first see Hannibal open the ceiling door to the warehouse where the mural is being kept, and have a friendly interaction with the killer, it’s hard to actually comprehend the act of horror beneath him. The killer actually arranges a series of bodies with alternating skin tones to create the appearance of the human eye from an aerial view. Leave it to Fuller to make something so artistically intriguing so inherently creepy. It’s made even worse in the opening to the show, when we see a man wake up and try to escape, only to realize he’s stitched to the others around him. House of Cards – Zoe Barnes.

It shouldn’t be a surprise to anyone that House of Cards was able to secure a spot on this list. Frank Underwood had yet to prove that he was willing to throw anyone under the bus (or a train) to get a political advantage, and to keep himself safe. It’s can be difficult to root for a character that is ruthlessly evil, but getting behind Frank is hard to resist. When Frank finally invites Zoe to an impromptu meeting to discuss what she’s learned and her commitment to Frank’s secrecy, it was easy for an audience to predict that he would be using leverage and his tough Southern charm to intimidate her.

To everyone’s shock, Frank eliminated all of Zoe’s future options outright by pushing her in front of an oncoming train. It was also hard to predict this outcome because of Kate Mara’s own popularity, which the audience believed made her “unkillable”. We were wrong. 1. The Twilight Zone – Time Enough at Last.